Saturday, February 07, 2026

Mexico, Schweizer's Prague Cemetery?

 Mexico, Schweizer's Prague Cemetery?


Diego Martín Velázquez Caballero




Mexican sovereignty, more than an exercise in self-determination, has transformed into a sophisticated theatrical set where the main action is decided in foreign offices.


Observing the current reality through the analytical lens of Anabel Hernández and María Idalia Gómez, it becomes clear that the recent massive hack of national institutions was not just a technical incident, but the culmination of an operational tutelage.


A true digital coup d'état, as Schweizer describes it.


In this scenario, Mexico operates as a kind of American Sicily: a laboratory of containment and experimentation where US intelligence observes how far its global enemies can penetrate before the system collapses.


This dynamic evokes the atmosphere of Umberto Eco's The Prague Cemetery, where the creation of conspiracies and the manipulation of falsehoods ultimately shape geopolitical reality.


Peter Schweizer's thesis on the infiltration of foreign powers positions him as one of those figures who, like the young people who initiate the game in Foucault's Pendulum, believe they have uncovered a hidden plot, only to end up as victims of the very conspiracy they are trying to expose.


If Schweizer is right and strategic enemies—Russia, China, or the Middle East—are looming over the territory, then Mexico ceases to be a state and becomes a buffer zone where the ends justify any means of espionage.


From academia, authors such as Robert Pastor and Alain Rouquieu have emphasized that Mexico's integration into the North American sphere of influence is a structural condition that nullifies its autonomy.


For Daniela Spenser, the history of national intelligence services has always been subordinate to Washington's priorities.


Under this logic, the Mexican government is sidelined not for lack of will, but due to an economic and security dependence, both formal and informal, that ties its hands.


The hall of mirrors is absolute: the rhetoric of independence is permitted while the data infrastructure is managed from the North.


Mexico is the chessboard where the resilience of Western rivals is measured, but also the laboratory where the effectiveness of total control is tested.


Ultimately, sovereignty is a literary concept in a world of stark political realism, where the country fulfills its destiny as the final frontier of an empire that prefers to observe the chaos from the peephole rather than allow another actor to move the pieces in its Sicilian laboratory.